Tag: Chekhov

CSI: A Gentleman in Moscow

(Context – Subtext – Intertextuality) The author, Amor Towles, name drops in A Gentleman in Moscow. He weaves the names of literary greats, facts from the writers’ lives and passages from classics. A special surprise is the frequent mentioning of Chekhov and Tolstoy. I search for a term to describe this writing technique. No, it’s …

Continue reading

Theatrical Lightning; The 10-Minute Play

Anton Chekhov’s four hundred plus short stories are an easier writing topic than his plays. My curiosity took me to Chekhov’s most famous plays: The Seagull, Three Sisters, The Cherry Orchard and Uncle Vanya. Why did Chekhov shift from short stories to plays? His first play, perhaps marketed incorrectly as a comedy, was not received …

Continue reading

To See or Not To See – That Is the Question

Purist might believe a true literary experience occurs with the left hand holding book and the right dutifully turning thick pages of print. Generally, I agree except for Vladimir Nabokov’s Lolita read by Jeremy Irons. I vote this one better to be heard by the gifted actor’s deep resonating voice and not seen. Here are …

Continue reading

Four Types of Playful Writers

Writers are, in general, playful people. As explained in a study by Dr. Rene Proyer “Playful people are able to reinterpret situations in their lives so that they experience them as entertaining or are able to reduce stress levels.” In my writing, I often rework real life situations with a better (or worse) ending and …

Continue reading