Category Archives: Barbara Pattee

Frustration

“Writing: Somewhere between torture and fun.” – The Write Practice

“I just sit at my typewriter and curse a bit.” — P.G. Wodehouse

Frustration

My current project, an historical novel, started as a short story written during a creative writing class. The sudden death of an important, but minor, character propelled the scenes to a heartbreaking conclusion. After reading my final version aloud, I looked up to see tears flowing from the eyes of several classmates. Pleased that my work received the emotional response I desired, I shelved the story with no plans for further development.

For several years the characters continued to invade my thoughts insisting I reveal more about their lives. I finally relented and gave them proper historical names, added more dialogue, and expanded their storyline. My short story became the catalyst, but not the beginning, of a novel.

The words spilled onto the pages for months until suddenly the plot stalled because my characters rebelled at the direction I took them. The character who died now wanted a more significant role than originally planned. This character asked for, no, demanded to be resurrected to find a place in this world, to see the changing seasons, to experience adventures, to feel loved.

This frustrated me because that character’s inclusion changed the entire plot forcing me to do more research to add authenticity to the details.

Call me crazy if you wish, but I now believe what some writers have said about their characters talking to them. The characters know their story better than I do. After all, it is their story, not mine. I’m only the storyteller or historian whose job it is to simply tell their story in a convincing, thought provoking way.

Do your characters speak to you? If so, do you listen? Have you changed a storyline to accommodate your characters’ desires?

Resolutions

This week, I helped clean out and organize the family garage and thought about my 2015 resolutions. I have two lists – one for chores and the second is “My 2015 Non-Commitments for My Writing Growth.”

The first three items were submitted to Deadwood Writers.

1) Enter the Writer’s Digest Short Story Contest. I did submit a short, short story to their 2014 contest, but didn’t win. I’m working on one for 2015.

2) Send two short humor pieces to Reader’s Digest. I’m waiting to hear from them.

3) Write 25,000 words of my novel, “January Market.” I’m struggling with this one. I’ve got to get back to it before I lose my story.

My other commitments include writing my monthly blog for Deadwood Writers Voices. Done.

I also planned to write one column for my family reunion book this year. I completed the entire reunion book telling some of my family’s history and included some facts about Michigan, the site of the reunion. That sparked interest and inspired a guessing game as part of our “Meet and Greet” activities.

My other commitments include completing several writing projects, organizing my writing, and reading more genre fiction books. With five months to go before the end of the year, I expect to check off a few more listed items.

How are your writing commitments or resolutions coming? Were you able to complete at least some of them? If not, what are your plans for the rest of the year?

Shut the Noise

“Nothing will ever be attempted if all possible objections must first be overcome.”

Samuel Johnson

Do you edit as you write? Do you struggle with every word, sentence, paragraph, character, and scene before you decide that your writing is not yet perfect? Do you hit the delete button more often than the save button? Do you hear the critic in your head saying that you can’t write, that you need to find another hobby?

Shut the noise! Stop allowing your inner critic to dictate the success or failure of your writing life. Quiet that voice in your head which is telling you to quit.

Not easy you say? Of course, it’s not. Your inner voice fears rejection. It fears failure. It even fears success. That voice is afraid of jumping off the high diving board, riding a motorcycle, or taking a chance on love. That voice has held you back long enough. Take a plunge. Take a ride. Take a leap of faith. Try something different. Be brave. Write what you feel. Write what you’ve always wanted to write. Write with abandon. Write without restrictions. Even if what you write is not the next great American novel (Whose is?), just write because that is what you want to do.

Some writers say, “If you don’t write in spite of your inner critic or negative feedback from others, then you’re not really a writer.” I disagree. Some people are born with a stronger sense of self-worth than others, but that doesn’t mean that they are better writers. It just means they are more capable of forging ahead in spite of the negative voices.

Do you really want to write? Than do it! Don’t worry about imperfections as you work. Just write! You can always edit once you finish.

In the Beginning – Make It Up

“The scariest moment is always just before you start.” – Stephen King

What causes a writer to stare uncertainly at the blank white page: lack of unique ideas, not sure of how to start a powerful memoir, or even the most effective way to begin a thriller?

“Story Starters” by Lou Willett Stanek, PhD. has some excellent ideas to help jump start your creative juices. Chapter 8 suggests using found objects as a story starter. There could be a fascinating story in an old letter found hidden in a drawer liner, in the words of a secret diary, in the gruff sounding chime of a grandfather clock, in the glass angel for the top of a Christmas tree, or in a bronzed baby shoe. These objects could be the subject of a short story, the beginning of a novel, or could trigger a long lost memory to begin your memoir.

Chapter 5 talks of the dangers of using real-life events or people. Stanek’s advice for fiction writers is to “Make it up.” Using real-life for your stories can be boring (people already know the true story), libelous (someone could sue you for writing about them), or even didactic (people don’t like being lectured to).

If you want to write about real-life events or people, “Make it up.” Alter the premise of the story, switch the genders of the protagonists, select a different location, or change the outcome of the situation.

Keeping a Journal of Ideas is a common suggestion for writers. This journal is not a diary of what you had for lunch but what you see, hear, smell, taste, or touch that might trigger a memory or idea that could be developed. Filling your journal with descriptions of places you’ve visited, unusual names of people, or paraphrasing a conversation you’ve overheard could help you begin a story. Then the next time you find yourself staring at that blank white page, open up your Journal of Ideas and pick one.

What suggestions do you have to for dealing with the dreaded blank white page?

What Have You Learned from Reading?

For me, reading is an adventure, which sometimes extends beyond the pages of the books I select. You never know what you can learn from a book of fiction.

I met Mary Higgins Clark at a Book and Author’s Luncheon after reading her second book, a mystery, Where Are the Children? From the story, I learned that an unnoticed child’s shoe was one clue to an unsolved crime. Clark is great at dropping seemingly insignificant clues that the protagonist misses early in the story. This soft spoken, petite author, who didn’t seem like the type of person to “commit murder” even in a novel, encouraged me to pursue my dream of writing.

After reading the first line of Dr. Bertice Berry’s steamy novel, Jim & Louella’s Homemade Heart-Fix Remedy, I promptly purchased her book. Written with folksy humor, the book tells the story of the boring love life of an elderly couple who are helped by Louella’s departed ancestors. Jim and Louella’s improved love life also gives them intuitive powers to help their neighbors with their various troubles. Dr. Berry, a sociologist, inspirational speaker, and author also encouraged my aspirations of writing.

Lee E. Meadows discussed the plot of his Silent Conspiracy, a Lincoln Keller Mystery, at a mystery writers’ workshop. In 1955, the Sentiments, a fictional rhythm and blues singing group disappeared without a trace after a gig in Detroit. The five men haven’t been seen since and Lincoln Keller, a private eye, has been hired to find out what happened to those five men forty years ago. Meadows, while on a book tour, discovered that the real-life disappearance of a singing group happened in another state. Life can be as strange as fiction.

Sometimes reading a book in public leads to dialogues with strangers. We may exchange quick reviews of books and offer suggestions on other book titles and authors to read.

At an airport, a man saw me looking at the book he was reading and asked if I liked mysteries. That’s how I discovered Harlan Coben books, which are intricately plotted, well-crafted mysteries.

While waiting for a lacrosse game to begin, I sat in the stands reading Elmore Leonard’s short stories, A Fire in the Hole. My husband officiates lacrosse, so I arrive early with him and use that time to get in about thirty minutes of reading. A pleasant, soft spoken woman sat next to me and asked if I liked the book.

“Yes, I do.” I said. “This is a collection of Elmore Leonard’s short stories. I like to write and wanted to study his style of short story writing.”

“I’m glad you like it. I’m Elmore Leonard’s daughter,” she said with a smile. “Have you read my father’s 10 rules of writing?”

I promised to check it out. There are so many rules to good writing, that I thought it wouldn’t hurt to check out what he thought was important. Elmore Leonard’s 10 Rules of Writing were evident in his writing style.

Have you met any authors or learned any useful tidbits from your reading?