Category Archives: Editing & Revision

A Writer’s Confessional Part Two

Self-doubt is like a disease that goes undetected, sneaks in, and metastasizes when I’m not looking. It sits like a lump in my mind. It’s awful because it can lead to depression. Creative people deal with this every day. And inevitably, when it latches on to my psyche, it leads to fear and then procrastination. Because I can’t fail at something if I don’t start it, right? But then I think of my mantra, “Failure is a bridge to success.” So, I can only keep looking forward.

The start of 2018 is a good one, even if it has been a rocky road. There have been some bumps, okay a lot of bumps, which is self-doubt. I’m still confident that my plan is manageable, which means even the days that I’m down, my goal is still in my mind. It pushes me forward with my writing and art. And I’m still using the bullet journal to see my accomplishments.

The days I wrote and didn’t paint or draw, I used a couple of Donald Maass books on writing. The Emotional Craft of Fiction: How to Write with Emotional Power, Develop Achingly Real Characters, Move Your Readers, and Create Riveting Moral Stake, and his Writing 21st Century Fiction: High Impact Techniques for Exceptional Storytelling. February was a fun, productive month in character development. The exercises will lead to a better outline and scenes that are full and beautiful with story. Each book has great lessons at the end of each section. Questions are listed so I can express the people I create in a more meaningful way. Most questions ask, how would a character react or function to inner and outer conflicts? They help define characters in a way that is more in-depth and intense. The reader will latch onto them to encourage experiencing the emotions the hero and heroines elicit. That’s what I want. It’s what my writing is missing. I even created another character that I didn’t see coming to add more tension to the story arc, which could lead to another book in the series.

There have also been places where my scenes are flat. They have no meaning to the story, or they aren’t becoming a part of who the character is, or fails to show what the place means to a character. I recently finished a chapter and shared it with my writer’s group, Deadwood Writers, for specifically this goal. I wanted the chapter to feel as if the reader was stepping into the soul of the character. That the place I was creating was a living memory of what the character experienced throughout her life and to have the main heroine understand that it was something she could/would want, or as someone put it in the writer’s group, or not. In conclusion, I decided my character isn’t ready yet to deal with what she’s feeling. So, I had to create a space that was lived in and had a good history. But at this point she must have it on pause, like a still painting in the back of her mind, ready to bring it back to life when she’s ready. I was pleased with the result. But you’ll have to wait to read it since it’s in the sequel to Hot Blacktop.

I’ve also worked on some fun projects in my art life, which I also listed in my bullet journal. I was on a mission to see where my art could fit into retail locations, and online at an Etsy store that I’ve started to create. I asked myself questions regarding starting a business along with talking with small gift shop store owners where I frequent. How can I sell my art? Where is the best place to do that? How do you choose the art you sell? Do I need a lawyer to create a business? How do I price my art? I did research online looking up other artists. I found videos, and articles, and will continue to develop what I intend to do.

Even though I stumbled in February, not working as many days as I did in January, I still made good progress. I can’t let the days of idleness get to me. I’m still doing what I love. I’m still learning. That’s all that matters.

Aspirations and Efficiency

This past December my Deadwood Writers Voices editor, John McCarthy, asked us if we were thinking ahead into 2018 and would we like to share what was on our minds for our writer’s life. There was also a post by Robin Covington on her Facebook page asking if we could pick one word to carry us through the new year what would it be. My word was efficiency. To reach my goal, I’m combining the answers to both questions because I find that I need one to go with the other if I’m going to make any progress in my career.

The answer to the first part is:

  • Dive deep into A NEW LIFE, book 1 in my Leeti vampire series, and see what needs to be done so it’s ready to be published.
  • Write on a schedule instead of when I feel like an idea is brewing.
  • Continue to develop new stories in a loose format so when I’m ready I can start writing the novel.

To help with the points above, I asked the same person, Robin Covington, what she used as an organization tool. She had mentioned Erin Condren’s Life Planners. What’s great about them is that an individual can customize it for a particular use. Plus, bonus, the planners, are made in America. In my case, writing. Here’s the link https://www.erincondren.com/. What it’s going to help me do is narrow my focus on writing while the appointments and scheduling for my family are on the periphery of this schedule.

In my twenties, I used Franklin Covey’s planning system, but I don’t think that style works for what’s happening in my life. I need more visual space to plan my day to day tasks. And I don’t want it to be on the computer. I want to be able to spread it out, look at it, touch it, get a feel for what’s happening next. I won’t stop using my computer schedule because I love being able to get a notification telling me that I better get on my way to make my appointment on time. But having something that is not digital helps my creative side and allows me to get down on paper the ideas of the sexy heroes and heroines I’m writing into stories. And one thing I did learn from Franklin Covey was how to prioritize a full schedule and strive to reach my life goals.

For the first point, regarding A New Life re-reading and editing content, I also need to tackle the grammar errors for publication and make sure the storyline is consistent. With all the things listed above scheduling is essential. If I tell myself I’ll set aside some time for the next day, if I’m not being specific in my listed tasks it won’t get done. I’ll sit down and read or go shopping.

Writing on a schedule seems natural enough, the dates and times and all. It’s the other things that get in the way that hinder the process. So, scheduling the time to write is what’s got to happen.  I’m used to free-writing on Tuesday’s. It’s my day off from making coffee and I have a significant amount of time. What should I do, I write it on the schedule. Appointment. Write on the schedule. Cello lessons for Kid #1. Write it on the schedule. My hope is, the time I set aside to write is productive. I still want to read as many romance novels as I can, but with my hours laid out, it will be easier to focus my ideas and get things done.

Marketing Hot Blacktop is something I’ve been doing throughout 2017, but I don’t think I’ve been as consistent as I can be. I could be using Facebook more efficiently plus all the other media platforms. I need to plan time to watch some tutorials. I need to link my Twitter, Pinterest, and Snapchat accounts to ramp up my marketing presence. Each one is part of my story, and I need to use them the best that I can. Here’s a helpful video I’ve watched regarding scheduling for a marketing focus by author Hildie McQueen.

And for the developing of stories, this planner system will allow me to add pics and fun notes about characters I’m developing, story ideas, arcs, and other tidbits. There are extra pages to use just for this purpose.

Now I have a plan. Here’s to being more efficient in 2018. Happy writing!

A Friend’s Hot Rod

 

 

By Jon Reed

 

Kenny’s father left Thursday afternoon for a three-day weekend business trip to Chicago, and Kenny said we could change his family’s car into a hot rod for the weekend. He had somehow found a more-powerful, triple-barrel carburetor and racing manifold to install, so we could go street-racing and no one would ever be the wiser. Asking whether he had checked with his parents on this scheme only drew a blank stare. We would change the parts, tune the engine, and put it back like it was before his father returned.

Unfortunately, Kenny knew less about cars than Denny and I, who were supposed to help, but he talked a good game. So, on a cold fall day, we were in his garage Friday night taking the Mercury engine apart, thinking it would only take a few hours, leaving time to still attend a Friday night dance. This was Kenny’s chance to show he knew something about engines, but first removing the hood, followed by the existing air cleaner, carburetor, fuel line, and intake manifold was only the beginning. Installing the new manifold, specialized gaskets, and assembling three two-barrel carburetors and linkage was far more difficult.

Bending and installing new fuel lines so there were no leaks, and adjusting everything to work properly, was a major task for a skilled mechanic much less three neophytes. By 11:30 pm that night, a lot of previously good engine parts lay scattered on the garage floor and we were far from success. A partially-assembled, inoperable triple-barrel carburetor and manifold sat beside a non-functional progressive throttle linkage, all lying on a piece of cardboard, staring up at us. Thoughts of showing off Kenny’s hot-rod Mercury at the Friday dance had been abandoned hours before.

Tired and colder still, we agreed to meet first thing Saturday morning without raising suspicions. Three of us worked all day trying to assemble the new system with fumbling, freezing fingers. Tools didn’t work, parts didn’t fit, tubing connections leaked, linkages were binding, gaskets didn’t seal, and gasket cement was all over the place as we attempted to finish.

Late that night, still under the glare of the garage’s single 60 watt bulb, we had it all together. We were all surprised the engine just wasn’t running right, back-firing and trembling, but we had no idea what to do about it. It had all seemed so simple the day before. Kenny was becoming desperate, and decided a test run was a good idea. Looking back, I’m surprised the engine didn’t explode in a ball of flames, but Kenny said he knew someone in Allen Park who could adjust carburetors. Of course, the test-run would occur without reinstalling the hood, which made sense since we would probably damage another fender in the process. Besides, with the hood off, at least the Mercury looked like a hot rod.

Once the engine started, it surged and misfired all the way south on Schaefer Avenue, raw gasoline spraying back on the windshield so that Kenny had to turn on the windshield wipers to see forward. Continuous use of the washer fluid to clear the gasoline meant, not surprisingly, we soon ran out of washer fluid. But, with the three of us in the front seat, we continued west and down Southfield with Kenny peering through bottle-thick eye-glasses and smearing windshield, wipers frantically clacking back and forth. Still spraying gasoline, bucking and lunging, we neared Allen Road, whereupon the engine expired with a mighty cough and backfire. Unfortunately, it happened in the middle of the Southfield and Allen Road intersection, and we ran the battery down trying to re-start the engine. The three of us frantically jumped out and tried pushing the Mercury, but quickly discovered 150 pound teenagers have some difficulty trying to push a recalcitrant, almost two ton lump of Mercury off the road. It was late, and cold, which made everything a little more desperate.

Making matters more interesting, while still trying to push the Mercury out of the blocked intersection, an Allen Park Officer of the Law pulled up, lights flashing. To our dismay, he responded to our pleas for a push by threatening to ticket all of us if we didn’t get the car out of the way in two minutes flat. Without the slightest degree of sympathy or patience, he must have seen a juvenile delinquent movie the night before or didn’t want to scratch his squad car bumper. He simply watched and waited until we had the Mercury safely off the road, still dribbling gasoline, before driving off.

I found an open service station and called my father, asking if he could drive down and help us get the car started. If only to get me home in one piece, he finally agreed, arriving a half-hour later. It was obvious it wasn’t going to start so he fastened a heavy tow strap with metal hooks that Kenny found in the trunk stretching from the Mercury to our family’s new 1957 Chevrolet’s bumper. Then began the harrowing tow back to Dearborn on less-traveled streets. This was before cars could auto-blink the tail lights signaling others they were nearing a slow vehicle.

Of course, the Mercury’s power brakes didn’t work with a dead engine so, after a long nervous drive with Kenny almost running into the back of our Chevrolet several times, we were only a half-mile from home. After one too many panic braking maneuvers by Kenny, the tow strap end fastened on the Mercury’s front bumper came loose. The metal hook flew forward, smashing out the back window of my father’s Chevrolet station wagon.

My ever-patient father stopped a little further on, got out, sighed, retrieved the tow strap, and, without saying a word, drove home leaving us where we were. We pushed the Mercury into a vacant lot, locked it, and walked the rest of the way in silence. I never found out what happened to the Mercury or Kenny as a result of our adventure, since he was reluctant to share any lessons learned. But I decided I might have to pursue a career in engineering if I was going to continue tinkering with cars.


 

The Tolstoy Zone

The name, Leo Tolstoy, carries a bit of an intimidation factor. Tolstoy lived in the 1800s, and the world has changed since then. Many writers have come and gone, yet Tolstoy continues to be relevant.

At the library, I find several nondescript volumes lacking flashy colors, fonts and modern graphics. Recognizable titles include War and Peace (1400 pages), Anna Karenina (750 pages), The Cossacks (160 pages) and The Death of Ivan Ilyich (53 pages). I weigh my decision because quite literally my book bag is an unhealthy amount of heavy, and the winner is The Death of Ivan Ilyich. I load the three audio disks for my next commute to work and prepare for an easy week of listening to some old guy’s story about a different time and place. Instead, I discover “a dimension as vast as space and timeless as infinity . . . [that] lies between the pit of man’s fears and the summit of his knowledge.” It is an area called the Tolstoy Zone.1

Within minutes of beginning this novella, I want nothing more than to continue. Often, I stop and marvel at Tolstoy’s timeless words and characters. I bubble the aspects of theme that intrigued me as shown in the photo.

 

The “D” Word

In this novel [spoiler alert] Ivan Ilyich dies. Death is part one of Tolstoy’s two-part story. The author approaches theme like a shark circling its prey. On each pass, the shark takes a closer look at what it will consume. The Death of Ivan Ilyich begins with the outside view of death. How do the living view the dead? By reading the Gazette, Pyotr Ivanovich sees the obituary placed by the widow, Praskovya Fyodorovna Golovin. The shocking news becomes an opportunity for career advance for some and a relief for others. Ivan has died and not me. The friend, Pyotr, is one of only two guests for the funeral.  Uncomfortable realities exist in this time period when the dead remain in the home slowly decomposing for days; when an untimely and early death jeopardizes a family’s finances; and when illness causes long periods of declining health to a miserable end. Tolstoy leads the reader with Pyotr to the next revelation–fear. Next time, it might be me who dies.

Fear and death are universal themes much older than the 1880s. Biblical passages, such as John 11:38-44, have cultural ramifications of Lazarus’ death for Martha and Mary. Also, Ezekiel 37:1-14 symbolizes Israel’s hopelessness with a valley of dry bones. Death is both literal and figurative and represents aloneness, separation, desperation, destruction, loss of relationships and loss of possibilities. Tolstoy’s study of emotion is intimate, realistic and all encompassing. He writes of what modern readers recognize as the stages of grief published roughly a hundred years later by Elisabeth Kubler-Ross in her famous book On Death and Dying.

Life after Death

Ivan is dead, and Pyotr scuttles off to resume his card game and find a permanent replacement for his friend’s vacant seat. The circling shark has swallowed the prey. So what does Tolstoy do? He analyzes how the subject tastes from beginning to end and resets the clock to show how this terrible situation occurred.

The story changes narrators and pivots to be about life instead of death. If this sounds religious, it is no coincidence. According to Richard Pevear’s introduction for Tolstoy, The Death of Ivan Ilyich & Other Stories, Tolstoy began a personal religious conversion to moral teachings known as “Tolstoyism,” and eventually published What is Art? to receive worldwide recognition.

If I am to read like a writer, I know “what” happens in this story and “why” this novella wrestles with finding meaning in life. The beauty in the story is “how” this message unfolds through Ivan’s thoughts about his life. It feels like a geometric proof written as poetry. Each statement builds upon the next. The narrator wants to live, but, then again, no; he only now considers the lack of meaning and suffering in his life. Although he has tried to be proper and correct, he lived his life wrong and failed to help the people who needed him the most. The transformation of Ivan’s character with only internal monologue is the key to Tolstoy’s mastery. Very clearly, Tolstoy uses Ivan Ilyich as an example of what not to do. Of course, it is an alert to change, but the final message is comforting. If Ivan Ilyich can find peace, so too can everyone else.

Tolstoy is approachable in this timeless novel. All of my earlier fears were wrong. I may never tackle War and Peace, but I appreciate Tolstoy’s writing.

  1. Rod Serling, The Twilight Zone Series 1963.

 

 

This Is Us

 

“Do the one thing they always tell writers not to do. Watch T.V.”  From 99 Ways to Get Inspired to Write by Smart Blogger

You may discover interesting plot ideas in television shows; however, some programs may teach you about good quality writing.

Watching the television show, “This Is Us,” may help you learn to use flashbacks as well as flash-forwards effectively in your writing. If you’re not familiar with this show, please view it starting from the first episode. There was a jaw-dropping revelation in the last scene that set the pace for future episodes. When I viewed that episode and others a second time several weeks later, I picked up on the foreshadowing I missed the first time around.

This drama weaves the past and present seamlessly in every hour-long episode while portraying humor, diversity, obesity, career crises, abandonment, family dynamics, panic attacks, and death with an abundance of love, emotion, and passion.

Writers for this program are superb. They create surprising moments in every episode. A clue to the heart of the series is found on a lamp table in a seemingly insignificant photo of three apparent friends. This well-placed clue reminds me of a child’s shoe tossed aside and ignored in Mary Higgins Clark’s novel, Where Are the Children?

Without giving away the plot of “This Is Us,” I ask you to take notice of what a fireman did, now illegal, while standing in a hospital waiting room. I later realized that scene was a flashback. The superb writers returned later to that character, revealed his backstory and his significant connection to the main characters.

The appearance of a family friend in a different role, surprised me and generated extensive, detailed discussions the next day with avid fans of the show.

When you view the show, take note of the way the writers interweave the past with the present. You can learn good writing from them.