Editor’s Log: Challenges mean Opportunities

strategic_partnership

The Deadwood Writers is about to celebrate 14 years of existence. The group was founded as part of one person’s college course assignment in 2002. At the time that the facilitator role was passed on to me there were approximately five members. We met in the Barnes and Noble (BN) in Northville, near the back of the store in a small space near the music section and the bathrooms. It was a good space for the group’s size.

The members, some of whom remain active today, were dedicated in both attendance and sharing of their writing. Yet one challenge was growth. The group’s vision has always been to provide a welcoming space to all writers and authors. Without growth, there would be the risk of atrophy from lack of perspectives.

This is where Patti gave tremendous help. Patti was Barnes and Noble’s CRM or Community Relations Manager. She handled the community outreach for the store. At that time BN stores sought to be a hub for the community. They invited schools, churches, and other organizations to do book fundraisers. Book groups were established through the volunteering of a community member. Sometimes the CRM might facilitate that effort. And there was the Writer’s Group.

From my travels around the country, writer’s groups are more difficult to establish than the book groups. It requires a structure and a facilitator willing to engage and welcome people to participate and lay bare their vulnerability through sharing of their writing. Having participated and facilitated several writer’s groups, I can honestly say that maintaining one is both an expense in energy and time, and one of the most rewarding experiences. It’s why I love being a part of the Deadwood Writers for 14 years.

Patti helped us grow the group with putting us into the calendar and in the store newsletter. She partnered with us to bring in authors and publishers. In the process, she taught me the ropes for relationships with authors, publishers, and the store, which has been invaluable. The group grew to over 30 members. We moved to the Cookbook section, which has been our home ever since.

When Patti retired, Betsy took over as the CRM. The rich relationship continued to grow. The Deadwood Writers group sponsored workshops on writing. One important focus was the 6+1 Writing Traits. We brought in a publisher who conducted several sessions on how to publish and market one’s book. We also continued to bring in authors to speak about their writing journey. A study group was established that meets one hour before the main meeting. The group continued to grow.

When Betsy left, Gail continued supporting the relationship. Deadwood writers continues to flourish. We established this blog where members regularly post a variety of stories and articles. Others actively edit the work so that there is shared feedback happening outside of the scheduled meetings. There has been talk of self-publishing work by the members who write for the blog. Stay tuned 🙂

Today, as we celebrate our 14 years as a group and as a partner with BN, we face new challenges. As most people know, bookstores like BN must reinvent themselves to stay relevant and profitable. It’s amazing the creativity and innovations that these smart staff come up with, such as a toy section, electronics, and high quality journals. As consumer demand increases for these merchandise, BN can continue to sell books, its core love. The challenge that each store faces is how much store space is used for merchandise and where do the groups meet when their space is taken over.

BN’s answer has been the cafe. But the cafe is loud from the machines used for coffees and blended drinks. Sit in the cafe and try to carry on a conversation, and count the interruptions. The space is just not conducive to a group that is having a serious conversation around topics that everyone participating wants to “hear” and share ideas.

I wonder what other groups have done to manage this environment? I wonder how other BN stores have balanced community relationships with merchandise placement?

We are attempting to work with our beloved home base to find a solution that maintains the relationship. We hope to find an equitable solution so that the group might maintain another 14 years at BN. Stay tuned.

Do you think that in today’s market a bookstore benefits from community relationships through book groups and writer’s groups? Or is there more benefit to pushing out community groups by product placement for the “promise” of more profits?

Star Trek Heritage: Chapter One, Pt. 1

She was having trouble concentrating with that incessant beeping coming from the proximity sensors, but she didn’t stop working. The Borg Cube was closing in. They hadn’t sent any members of their hive onto the ship, but that was hardly reassuring. The rest of the crew aboard the USS Heritage was currently unconscious and that left Ensign Meva Skogland the lone soldier.

She wasn’t entirely sure why whatever knocked out the crew hadn’t affected her, but she thought it might have something to do with her being in decontamination at the time the Borg ship had appeared. She’d have to remember to ask Doctor Syversten about it when this was over…assuming they all survived. What a terrifying thought.

Meva’s hands flew across the console as she assessed the damage to the ship, checked weapon and shield statuses, and monitored the Borg Cube, which was now currently maintaining its’ distance. Whatever the Borg had done had disabled the Heritage’s warp engines, so they weren’t going anywhere anytime soon. Everything else, however, seemed to be functioning properly, the most important system being life support.

Meva had never seen a Borg ship in person before, had never seen the Borg themselves at all, but all the reports said the same things. The Borg disable a ship, send over their hive minions to leech data from the ships computers, and assimilate all members of the ships crew. Not necessarily in that order. Then they move on. Another ship. Another crew. Gone. Assimilated.

So…why weren’t they doing that? Why were they just sitting there? Sure they had disabled the ship just like previous reports said they would. But they hadn’t started the rest of it.

“Shit. What am I supposed to do with this?” Meva muttered to herself. Speaking out loud to herself made her less out of control. She was just an Ensign who worked in the Science Department. She was fresh out of the Academy. Everyone else on board, literally everyone, outranked her. Except now everyone else was out cold, which left only her.  And she knew procedure. They trained you for hostile situations. But you weren’t prepared. Not entirely.

Of course she had basic training in the use of the weapons systems. Everyone on the ship did. Every good Captain insisted on it and Captain Miles was a good Captain.

“He’d be a better Captain if he was awake.”

Meva wasn’t confident in her ability to use the ships weapons systems against this particular enemy and survive. She needed a plan. She worked in the Science Department. Maybe she could science a way out of this. For now it seemed she had the time. The Borg were just sitting there. It was creepy.

“Alright then. Let’s see if we can get these warp engines running. Or at least get it to impulse power. If I can’t do that maybe I can figure out how to wake Syver. Or the Captain. That would be nice.”

Meva grabbed a Data PADD so she could continue to monitor the consoles on the Bridge and headed for Engineering. There were crewmembers all over the place. Many had simply fallen wherever they had been standing when the attack came. Some sporting bruises from hitting the walls, the floor, each other. Some were lying in odd, and obviously uncomfortable, positions. She wished she could help, but with no proper medical training she didn’t even know where to begin.

‘This is one hell of a first assignment,’ she thought as she headed for the turbo lift. She sincerely hoped that the turbo lift didn’t malfunction. She didn’t need to be trapped in an elevator on top of everything else. Then they would all be screwed. ‘As if we aren’t already.’

Meva Skogland had been so excited to be given the chance to serve her first Starfleet assignment aboard the Heritage. It was the ships’ maiden voyage through space and a spot aboard was as coveted as a spot aboard the Federation Flagship Enterprise.

She reached the nearest lift and, surprise surprise, it wasn’t working.

“Great. The Medical Bay it is then.”

Heading toward Dr. Syversten’s office she tried to remember anything she may have learned at the Academy that might help with this. The Kobyashi Maru maybe. Except she failed that test. Everyone did. If she couldn’t wake Syver then she knew it was over.

She reached the Medical Bay in record time. Just like the Bridge and the hallways the bay had personnel laying and sitting wherever they had been. She found the Chief Medical Officer sitting in his office chair, his head lying on his desk like a kid who had fallen asleep at school.

“Doctor?”

Meva shook the doctors shoulder, as if that would do any good. It didn’t. She began looking through drawers and in cabinets. Assuming everything was properly labeled, which it always was, she was hoping to find anything that might be used to wake someone up.

While she searched for something, anything, that would help she continued to monitor the Data PADD. There was still no change from the Borg Cube and Life Support Systems were still functioning. Good. She still had time, but that could change at any moment.

Finally she found a stash of hypo sprays. She looked through them until she found one labeled ‘Epinephrine’.

‘Well, this will either wake him up or give him a heart attack.’

She read the label of the hypo spray, checked Syversten’s medical record in the ships’ computer to make sure he wasn’t allergic to anything, and then, taking a deep breath she stuck the hypo spray into Dr. Syversten’s neck and waited. It didn’t take long. The Doctor’s head shot up as if he’d just had a bucket of water dumped on him.

“What the hell…” he muttered. He was looked groggily around the room.

“Doctor. Are you alright?” Meva asked.

“Ensign Skogland? What’s happening?”

“The ship was attacked, Sir. I think. A Borg Cube sent out some kind of energy pulse that shut down the warp engines. It also seems to have rendered the crew unconscious. Everyone except me anyway. And now you. I was going to try to get the engines back online, but I can’t get down to Engineering. Thought I would try to wake you up instead. I’m really glad it worked.”

“The Borg? They’re here? Why haven’t they taken the ship yet?”

“I don’t know, Sir, but they’ve been here for several hours now. They disabled the ships ability to move, but haven’t done anything else. I’ve been using the time to try and either get the ship away from here or wake up someone who can. That’s where you come in.”

Dr. Syversten got up and looked around. “What did you use to wake me up, Ensign?” he asked.

“I used a hypo spray labeled Epinephrine. I only have Starfleet’s basic first aid training. I was kind of guessing and hoping it worked.”

“I’m very glad you guessed correctly, Ensign. Were you able to wake anyone else?”

“No, Sir.”

“Alright. Well, the best course of action then would be to wake the Captain and the rest of the bridge crew. They’re better trained to handle these sorts of situations. That will give us the time, hopefully, to start taking care of the rest of the crew.”

“Hopefully is right. The Borg haven’t fired on the ship yet, which goes against every report I’ve ever read about them. Granted there aren’t many so we’re probably missing information. We need the Captain.”

“Okay. Let me grab what I can from here and we’ll head to the Bridge.”

Tourist Attraction

2016-09-pic-new-enhanced“We’re here, Grandpa,” said Billy as the car came to a stop.

John’s mind was too occupied by the gray ship in the distance to respond to his grandson. The longer John looked at the ship, the bigger the knot in his stomach grew. Hoping not to betray his unease, he spoke to his daughter, Mary, and her husband, Tom. “You know, we can go someplace else. You don’t have to put yourselves out for me.”

“Nonsense,” said Mary. “We’ve been doing a lot on this trip for us. We picked this just for you. Plus, Billy is really excited to see a ship that’s just like the one you served on.”

“Okay,” John said as he undid his seatbelt. “But we don’t have to spend a lot of time here.” He got out of the backseat and followed Billy, Mary, and Tom to the ticket line. After a few minutes, John raised his head and looked at the WWII battleship sitting moored and ready to take on tourists. His thoughts went back to a 1943 naval yard.

Hot standing on the dock waiting for boarding. “John Pulaski reporting for duty.” Salute given and returned.

 “Get onboard, Ski,” said the officer of the day.

As Tom handed him a ticket, John felt as if he were in two places at the same time. “Let’s go, Dad,” said Tom. John and his family started up the ramp to the ship.

Salty air. Cool ocean breeze. Ship underway.

“Oh boy! Look at those guns,” said Billy as they toured the deck.

Sound of enemy aircraft. Sirens wail. “All hands to battle stations!”

“Billy, stand in front of the guns,” said Mary. “I want to take a picture.”

“Okay, Mom.”

Bombs exploding. Metal twisting, jarring.

“Look at this kitchen,” said Tom. “I bet you had some pretty bad meals while you were in the Navy.”

“Uh huh,” replied John.

Smoke filled corridors. Choking, coughing. Climb up the ladder.

“What does that plaque say, Billy?” asked Mary.

“Come and see. It’s really cool.”

Guns firing. “Lead, dammit! Lead!” Blood on the deck.

“Let’s go look at the plane,” said Billy.

Two airplanes down. One to go. It turns. Heading straight in.

“Mary, stand with your father so I can take your picture together.”

More gunfire. Plane is hit. Trailing smoke. “Hit the deck!”

“What’s over there, Billy?”

Bodies in the water. Our guys and theirs. Smell of hot metal and burning flesh.

“It’s getting late,” said Mary. “I want to go to the gift shop before we leave.”

“Okay,” replied Tom. “You ready to go, Dad?”

“Yes.”

“I bet seeing this brought back some memories, eh Dad?”

“A few.” John cleared his throat and wiped his forehead with his sleeve. “Come on, Billy. Let’s help your mother pick out another snow globe for her collection.”

Dining Here Tonight

 

You are dining in a fine, four-star restaurant this evening, being catered to by a world renowned chef. By far, this is the finest eatery you have ever been to and you’re apprehensive as you walk up, afraid you will feel out of place. You cannot make a reservation for Here – that’s the name of the place: Here. You cannot even get on a waiting list for Here. Seating is by lottery only, posted at the gate the day before, or by personal invitation from the Chef. You were invited.

Anticipation, they say, enhances the meal. For months you have been wondering what this famous chef is going to serve. Reading only high praise and stories of culinary bliss, you’ve spent many restless nights since receiving your invitation, tossing and turning, wondering why you got the invitation. You don’t order from a menu at Here; you simply enjoy what’s put before you.

The doorman looks at your invitation then hands it back to you. He removes his top hat and bows slightly as he opens the door.

‘Welcome!’ The Maître d’ shakes your hand with both of hers. ‘We have been expecting you. Right this way please.’ She first takes you to a photographer waiting in the kitchen, where you have your picture taken with the Chef!

The Chef gives you a personal tour of where he creates new masterpieces nightly, and again you wonder, why am I so special? The kitchen is enormous, spotless and so well-lit you are followed by a hundred silhouettes. ‘Everything in Here was sacrificed so I could create,’ Chef explains somberly. ‘It is for the flora and the fauna, for all the creatures great and small, we celebrate supper.’ With all the kitchen noise, you’re not sure you hear him correctly but nod in agreement just the same.

The dining area is small and silent by comparison, but beautiful and warm with original oil paintings on the walls, portraits of dignitaries that have walked this carpet before you. Your waitress takes you to your booth. All the waitstaff wear white tuxedoes with no ties, white gloves without fingertips and a black, pillbox-style chef’s cap that looks to be a few sizes too small. They move quietly among the guests.

The table with your name on it is Illuminated by a single candle. The light bounces off of the Waterford crystal and sterling silver tableware set on a white satin tablecloth that drapes over all edges. The plush leather bench is like sitting on a cloud.

Emerson, Lake and Palmer’s, From The Beginning, starts to play softly from overhead speakers.

You don’t like to dine alone, but yours was an invitation for one. You look around and see all of the tables are set for one. Your waitress brings your appetizer on a tiny plate made of pearl-blue, turquoise and dazzling-white bone china. It’s about the size and shape of a shucked oyster. A wonderful aroma of warm ginger emanates from a pinkish-orange dollop in the center that shimmers as she places it before you. It sparkles in the candlelight, speaking Morse Code.

‘The appetizer is called Mourning due,’ your waitress tells you.

‘Morning dew,’ you repeat. The first bite is warm apricot, both sweet and tangy and it melts in your mouth. The next bite looks the same but tastes like…  goat cheese? You’re not really sure, and the last two bites tease your memory even more. The four flavors blend on your palette to create a new taste that rises from within. Sweet, and you think, fresh as the morning dew. You wonder how Chef did that. Anticipation makes your heart beat faster.

The waitress returns, her smile a fixed feature, and asks in almost a whisper, ‘How was that?’

‘Wanting,’ you say in a dreamy voice, then remember where you are and add, ‘Oh, don’t get me wrong; it was delicious. It’s just that… I thought there would be more to savor.’

‘I’m sure the main course will be to your liking,’ she says, and removes the plate to the kitchen.

The booth is dim so you take the butter knife and cleave the top of the candle, then watch as the wax runs down and the flame jumps higher. You start to see your surrounding a little clearer. The wax trails slowly to the base where it pools like cooled lava. The candle starts to dim, so you cleave it again. The pool grows and the candle shrinks. Too soon, they will be the same size.

When your waitress returns, she has both your dinner and a pair of rose-colored sunglasses. She hands you the glasses and says, ‘To enhance your next experience.’ You put them on as she places before you a huge clam-shaped plate overflowing with food.

In contrast to the appetizer, your main course is way more than you can possibly finish. But you do. Like the appetizer, each mouthful is unique. You inhale, savoring the aroma of the first forkful; pan-fried trout so fresh you can hear the brook babble as you swallow. You play each taste off your palette: Delmonico steak, a favorite, and so tender you can cut it with your fork; the sumptuousness of a just-picked, still-sun-warm tomato with basil and mozzarella makes your shoulders go limp; glazed asparagus; chilled lobster dripping in warm butter; clams linguini with grilled portabella; shark fin so poignant it bites back. You take your time, chew slowly and sip iced-cold water between bites, and the world tastes better through rose-colored glasses.

The candle starts to flicker and shadows dance where none should exist.

The waitress sees your empty plate and says, ‘Chef will be so pleased.’

‘I don’t know where I found room for it all.’ you say, as you push the table away.

The candle burns out, but the waitress is quick to light a fresh candle. This one is repulsively scented like bleach and you ask her to change it. Quickly! She does.

But the odor hangs in the air.

Your waitress brings the dessert tray and at first you want to refuse. ‘I have no idea where I’m going to put it, but…’ You point to the one with the darkest chocolate.

‘You have selected Chef’s favorite; Bittersweet.’ She sets it before you. It is still warm.

The first bite makes you pucker and frown. You used to like bittersweet. It takes a few bites to acquire this new taste and you don’t want this meal to end until you have devoured every last crumb.

Keith Emerson’s Synthesizer wails inside your booth.

Anticipation somehow exceeded, you take coffee in the cigar lounge to settle your meal.

You sit back into an Adirondack chair and blow smoke rings towards the trumpeters and angels embossed in the tile ceiling, and wonder again why you were invited.

As full as you can be, as happy as you’ve ever been, you’re a little surprised to see your waitress walking up with a black leather folio in her hand. Without her pillbox cap, you don’t recognize her at first.

‘I hope everything was to your liking,’ she says as she hands you the fare.

‘I was invited!’ you say in an undertone. She just tilts her head slightly. But you cannot stay upset; it has been the experience of a life time, after all. You smile back at her as you realize that paying also affords you the privilege of adding your own two cents.

You say, ‘Honestly, I don’t see how Here rates four-stars, but I can’t tell you exactly why not. I mean, just the tour of this man’s great kitchen is worth any price, and your service was excellent. My compliments to the Chef; everything he cooked was out of this world. But he never did explain why he invited me.

‘And the main course seemed disconnected from the appetizer. I was expecting something else entirely after that Jell-O oyster, or whatever that was.’

With no response, you continue. ‘The meal was sumptuous, as one should expect, but you could have fed a family of four with what was on my plate, and in the end I was left with the taste of guilt.

‘And the dessert has an aftertaste that I can’t wash down, even after coffee and a cigar.’

The waitress says, ‘By Chef’s design, that taste will linger for as long as it was anticipated.’

‘You mean I’ll have this bittersweet taste in my mouth forever?’ You frown at her as you put your American Express card between the leather without even looking at how much this gastronomical experience has cost.

‘Oh, I’m sorry,’ she says. ‘Your credit cards have expired, too. We have no way of processing them Here; in Heaven.’

 

Being Mortal*

bein-mortalHave you read Being Mortal by Atul Gawande yet? It’s a very interesting book on several levels. Being a writer, I learned from seeing him make his points through telling stories. He told stories about his patients, himself, and his family. It gave the book an intimate feel, like this could be happening to me or someone I know. If not now, maybe some time in the future?

 

From a psychological point of view, I could see that he wants to help people. He thinks that if he’s able to get you, his readers, think these things through now, when you’re healthy, then you’ll have the time you need. You’ll be able to reflect and come up with what you personally want in order to have your very best day each day that you have left.

 

I expected the book to be depressing. After all, it’s about the end of life. And, considering no one has ever come back from the other side, a lot of people don’t like to think about this, especially me.

 

But what drew me in was the strain of kindness, compassion, and hope that runs throughout the book, chapter after chapter. I could see that he wanted to prepare his readers to get the information we’d need to make decisions that would give each of us the best possible life right up to the very end.

 

He talks about how doctors are trained to save lives but not how to share bad information, tell patients their disease is terminal or help them make end of life decisions.

 

Over and over he makes the point, that when the doctor says, “We have this new treatment. I think it’ll help you,” the doctor is thinking one or two years. But the patient is thinking 10 or 20. This is a huge misunderstanding.

 

Usually the patient never asks, “How much time will this treatment give me?” and “How much of that time will be good time, i.e. time where I’m awake, alert and my pain is controlled enough so that I can enjoy spending it with my family and friends?”

 

Frankly, the doctor is relieved. He or she is not prepared, even in the last weeks, to say, “This disease is terminal. You have at most a few weeks or months, not all of them good. You might want to think about what’s important to you, something you’d like to do or say to the people close to you.”

 

He tells horror stories of doctors, right up until the very end, knowing the patient will probably not survive more than a week or two, offering new treatments. Why? Because doctors are uncomfortable saying things like, “This disease is terminal.” “There is no treatment today that can cure you.” “The most we can do is make you comfortable.”

 

My takeaway from this book is, after the doctor has explained all possible relevant treatments to fight the disease, three questions the patient or the patient’s family need to ask when someone is critically ill. They are:

 

  1. When you think about the research and your patients who have undergone these treatments, for each treatment you talked about, what is the longest time any of them got?

 

  1. How much of that time was “good time”, i.e. time where the person was awake, alert, and their pain controlled to the point that they could enjoy their day?

 

  1. If you did nothing heroic, instead just controlled the pain and treated the disease to slow it down, how much “good time” would you have?

 

I think the answers to these questions would be far more valuable in helping each of us decide what we want to do than just starting another new treatment.

 

 

*Being Mortal: Medicine and What Matters in the End by Atul Gawande, Metropolitan Books, Henry Holt and Company, New York, 2014.