Monthly Archives: October 2015

Wages

– Wages –

By Jon Reed

Once upon a time, companies paid employees by handing them paper checks issued by a payroll department every other Friday afternoon. Not surprisingly, attendance was higher those days, much to the irritation of management. Except, of course, if Michigan’s first day of deer season fell on a November 15th Friday, few employees showed up at all. Paper checks were standard before computers existed and commercial banks had improved electronic abilities. Handing over pay to civilian workers was a little different than the United States military pay system for servicemen at the time.

After enlisting in the United States Air Force, I discovered the difference. At the end of our second week in basic military training, we were lined up to receive our first pay. We had been screamed-at and harangued for so long, we were being handed cash for belonging to the military. Standing under a broiling sun, surrounded by snakes and scorpions, it was quite bizarre for a young man at the time. We were paid something like $30 in greenbacks, although memory fails after so long. It worked out to about 600 hours or five-cents an hour, somewhat less than my salary as an engineer only a few weeks before.

Sergeant Tough Guy sat with an open cash box on a card table. Near his right hand lay a loaded M1911 Colt .45 caliber automatic pistol pointing right at us. I suppose it was meant to prevent foolish people from making a grab for the money. I had no idea whether the gun would go off if the card table collapsed, but I’m sure it would have put a large hole through several trainees with a single round. Oddly, there is no history of anyone robbing a Lackland Air Force basic military training cash box.

Of course, with $30 to spend every two weeks, like everyone else I had no idea what to do with it because there was no place and nothing to spend it on. The Post Exchange only sold toiletry articles, chewing gum, magazines, and souvenir United States Air Force tee-shirts. No one wanted more souvenirs than bad memories of crawling through live-fire training ranges under barbed wire and mines exploding to keep things interesting. No, we had enough souvenirs, thank you. Returning to civilian life after the military, I was glad our company didn’t line us up for our pay every other Friday with a loaded .45 pointed in our direction.

But it changed in the early-seventies when we were informed wages would henceforth be automatically transferred to us in a new Direct Deposit Program without worrying about lost time and paperwork costs. A week before the new program was to begin, my wife and I discussed the changes it would bring. We decided to split our responsibilities so she could manage most of it. Thursday afternoon before the program began, I called home and she said, “We need some cash for the weekend. Can you stop at the bank and get $180? We need two fifties, three twenties, and two tens.”

I was confused, thinking she didn’t understand the program. “Listen, it’s Thursday. We don’t get paid until tomorrow, Friday, the 15th of the month. We don’t have $180, in our account. I’ll go to the bank tomorrow night or Saturday. I can’t go today and try to take out more money than is in our account.”

“Yes, you can. The transfer to our bank takes place tomorrow morning at 12:01 am Friday. The bank cannot register a withdrawal transaction this afternoon until tomorrow and the start of Friday’s business day.” She was growing impatient. “Listen. Just tell them your wife said it’s alright. And could you pick up some clean clothes from the dry-cleaners on Michigan Avenue, afterward?”

I hung up thinking trying to withdraw money that wasn’t there couldn’t work and I would be painfully embarrassed. Besides, I’d never heard of anyone walking out of a bank with more money than they had on deposit unless they were waving a gun and chased by wailing squad cars. And what was with the dry cleaners request? How can anyone pick up dry-cleaner clothes without a ticket?

I pulled up to a teller’s window at 5:30 pm that afternoon and filled out a withdrawal slip. Minutes later, the vacuum canister whooshed away a piece of paper requesting two $50’s, three $20’s, two $10’s, along with my driver’s license. A querulous, disembodied teller’s voice came over the inter-com, embarrassed and confused, as if dealing with early dementia. “I’m sorry, sir, but you don’t seem to have enough money in your family account to cover this transaction.”

I could feel my face blushing but no one was around. This was exactly what I didn’t want to happen. All I could say was, “Well, we’ve just implemented a Direct Deposit Program. My wife said my salary for this pay period will be transferred to the bank at 12:01 am before the Friday business day begins … and that to tell you that it’s alright.”

There was a slight pause while this was assimilated, and I wondered whether the bank’s security personnel or city squad cars would begin arriving with wailing sirens. Instead, a sympathetic voice came back, “Oh. Well then. It’s alright then, isn’t it?” The vacuum tube whooshed and the canister came back with a clunk, complete with $180, bank slip, and driver’s license. “Have a good day, sir.”

I drove away, still wondering about the power of a wife’s permission and direction. Now greatly emboldened, I walked into the dry-cleaners shop ten minutes later and gave my name before mentioning I didn’t have a ticket to pick up our clothes. But my wife had said it was alright. The owner gave me a long look and shrugged, before I paid the bill and he handed over the clothes. As I put them in the trunk, I realized I was set for life; all I had to do from then on was say, “My wife says it’s all right” and I could get away with most anything.

Hot Blacktop Ch. 4 – The Ex-Boyfriend

Saint moved toward the front door, hobbled on one foot getting his second boot on just as a thump had him turning toward the noise. A disheveled Sienna stumbled over a step coming down the stairs as she turned on a light. He blinked and adjusted to the brightness. When he got a look at Sienna he couldn’t help but glance up and down hanging a couple extra seconds on the legs that kept going and going. Her dress she still wore from last night was rumpled. It clung to her and pulled to one side leaving the mounds of her breasts almost indecent. She didn’t have a lot going on there but, he thought, what she did have held up very well. He licked his lips then frowned. Saint thought he would just check to see if Sienna was okay this morning and leave, but seeing her all disheveled and sleepy had him thinking otherwise.

He smiled and tried to stifle a laugh. Sienna’s hair stuck up every which way. Joining the disarray, Saint watched her hazy sleep-glazed eyes clear when she finally looked up and saw he stood in her living room. Her eyes widened and her mouth decided to go for the guppy look. She quickly shut her mouth and looked like she would say something else, but she didn’t have a chance.

“Sienna!  Did you change the fucking locks? Open this goddamned door? We need to work this out.”

Sienna’s hand covered her mouth and she whispered, “Layton,” over the barrage of bangs.

Bang, bang, bang! “Sienna, come on baby. I’m sorry.” The doorknob rattled.

Bang! Sienna turned to look at the clock as did Saint. 7:00 A.M. Bang! Saint moved. Sienna gripped his shirt. “I’ll get it,” she said. Bang!

“Sienna!” Saint could hear the desperation and an underlying anger in the man’s words.

Her shoulders had slumped and her cheeks reddened. “Sorry,” she whispered. She turned on the porch light and mumbled sorry again.

Saint shook his head. Sienna went to move past him, but he grabbed her around the waist and pulled her back, his fingers spreading across her muscled torso. Sienna gasped as Saint opened the door to a very irate ex-boyfriend. He gripped her even closer. The corner of his eye began to twitch when he looked down on a much shorter, blond haired, pointy nosed, ass-hat, who looked more like a polo-playing pansy.

“Why’s my shit on the lawn, Sie…?” Layton stopped moving when he saw Saint.

Saint’s fingers flexed on Sienna’s hip and he felt her flinch. He loosened his hold.

“Who the hell are you?”

Sienna stiffened at the question. “None of your business, Layton.” Her nose flared with her next inhale. “If you haven’t figured it out by now, I broke up with you.” Sienna began to shake. He didn’t know if it was fear or anger, but Saint had had enough of this asshole.

“Take your stuff and go,” Saint said.

Layton made a move toward Sienna.

No fucking way! Saint twisted Sienna around to his back to shield her from Layton.  He took a step toward Layton as he let go of Sienna.

“Take your shit and leave, man. Sienna doesn’t want you here.”

Layton’s brows drew down as his gaze teetered between Saint and Sienna. His hands fisted and his eyes zeroed back on Sienna. “Sienna, we can work this out.”

Saint heard Sienna suck in a breath. He looked over his shoulder. Her whole body had gone taut, fingers clenched and her face reddened. Her breaths came long and deep, as if she tried to trap her anger. He saw it coming when she lifted her head. He spun around, grabbed her by the waist, and then hugged her close.

“Saint, step back,” she said through pinched lips. He looked into her eyes, searching. He did as she asked. Reluctantly.

Her voice shook when she spoke, just as a line of flame broke the darkness the sun rising over the horizon. “What makes you think I want anything to do with you, Layton?” Her voice vibrated with unleashed anger.

Layton took a step up the porch. Saint moved to block him, but Sienna got to him first. He didn’t get in her way.

She jabbed Layton in the chest with her finger. “You were the one that told me you loved me, that we’d be together forever! You were the one I found fucking another woman! In my bed!  So, don’t stand there and think you can make this up to me, when you were the one who betrayed me.” Her voice cracked. “Go back to Jenny! Or the other bitch you had on the side.”

Saint watched Layton’s eye flash.

Saint thought that would be enough to get the guy to go, but Layton made a desperate grab for Sienna.

With lightning speed, Saint grabbed Layton’s outstretched arm, twisted it behind his back. Layton winced and Saint pushed Layton down the porch stairs. Layton stumbled and tried to pull away, but Saint locked the guys arm in place. When he knew that Sienna was a safe distance away, Saint pushed Layton toward his vehicle, a Porsche SUV.

Layton backed up quickly, righting himself, as Saint crossed his arms and waved the asshole on. “You heard her.”

Layton wasn’t into clues. He moved to mount the stairs again. Saint blocked him.

“Let me by asshole,” Layton.

“No.”

He tried it again. Saint pushed back and Layton took a swing at him. Air glanced off Saint’s hair as he ducked Layton’s swing and returned fire with a jab to the ribs. Layton bent at the waist and grabbed the impact point.

“Layton! Go! Just go,” Sienna screamed. Saint turned to look at Sienna. Silent tears streaked her pretty face. The twitch at his eye got worse. Sad, and or pissed, Sienna didn’t deserve to be either.

Layton lunged.

Saint smiled, and said to himself, I’m done, as Layton punched more air in front of his face. In one move, Saint jabbed him hard with an uppercut, tripped him and pushed him to the ground. Layton tried to get back up but Saint planted one big boot into Layton’s chest and pressed his heel under the rib cage, and ground it down. Layton gasped for air. He heard Sienna calling, pleading for him to stop. He eased up on his foot but didn’t move back. “Get your shit and get out.”

Saint looked over at the lawn strewn with boxes and piles of clothes and waited.

“Sienna,” Layton groaned and coughed as he brought himself standing again. “Jenny doesn’t mean anything. Come on, baby. This is fixable. I love you.” Layton moved toward Sienna. Saint moved with him blocking his way.

Saint watched Layton’s eyes track back to him. Yeah, that’s it, Saint thought. Focus on me.

“Who the fuck is this guy, Sienna?” Layton questioned. She ignored him and finally stepped back into her house. “Sienna? Dammit!”

“I would seriously consider, picking up all your stuff, putting it in that shit-tastic ride of yours, and getting off Sienna’s property.”

“Or what?” Layton snaps.

“Or what?” Saint said his voice all too calm. Layton’s eyes went round and bled white when Saint got right in his face, grabed Layton’s shirt, and growled. “I’ll unleash my kind of crazy. The kind where there won’t be enough of you left for anyone to even care.”

The air was thick and crackled with tension when Layton snarled, “Fuck you,” twisted away, and started packing his car.

Saint waited a beat, then followed Sienna into the house and found her standing at the window. He got close but didn’t touch.

“Thank you. I don’t know what I would’ve done if you weren’t here,’ Sienna said.

The silence was heavy and then Saint said, “What’d you see in that asshole?”

She shrugged. “My future.” She took a shaky breath. “I guess he didn’t see the same thing.”

“Hmm,” the sound his only response.

Saint stood next to Sienna, his blood humming with adrenaline as they watched Layton load the last box. Layton turned and glared at them both before he got into his Porsche and drove away. Saint laughed and shook his head. When the taillights disappeared, Saint turned, and looked into Sienna’s eyes. They flared, became hooded with desire.  His body reacted.

Saint took Sienna by the shoulders crowding into her space, his hips almost aligning with her smaller ones. His hand moved down, the tips of his fingers touching the skin exposed by her dress to brush back and forth across her naked collarbone. Sienna tried to move back but his other hand held her in place. She shivered and her breath came in small pants. He smiled. She didn’t want him to let her go. His fingers continued to meander higher up and around until they combed through her tangled locks several times where they finally took hold and stopped, her neck tilted back in his soft grip. His mouth so close now he could feel her breath dance along his lips.  “You know what?”

“What,” she replied?

“He’s blind too.”

Diary of a Binge Reader

Donna Tartt’s, The Goldfinch, hijacked my social life for the past two weeks. And consequently, my life as a binge reader emerged once again.

For months, I can exist perfectly content on my diet of short stories. Then, the unwieldy novel finds me unsatisfied in my 5000 word count stories, lures me to a world of plots with multiple characters and offers a new captivating world to enjoy and forget the everyday mundane. The process begins innocently enough — an evening hour in a big chair with my feet up, a chapter instead of dinner, an alarm set earlier to read before breakfast, and eventually the pages of a 784 page tome reluctantly parted across my sleeping self — until in the middle of the night, the book falls, thudding loudly against the floor, startling the dog who barks and wakes the household and next door neighbors.

How does this happen to me? I confess a predilection for Donna Tartt’s brand of storytelling. Is Tartt’s magic the plot or the theme? A diagram from the NY Book Editors shows themes of prize winning novels in 2014. The Goldfinch won the 2014 Pulitzer Prize and contains many of the plot lines of prize-winning novels: unlikely friendships, betrayal, terrorism, death, theft, school days, running away, criminal gangs, love and suicide. Other winning plots include less appealing topics: cannibalism, East London, homicidal cowboy brothers, an escaped tiger, horniness, jazz, nanny trust issues, a mysterious letter, Totalitarian Bucharest, and war. As to plot, Tartt chose well except I am intrigued by the cowboy idea.

Screenshot 2015-10-02 23.18.45The NY Book Editors post also includes speculation on what makes an interesting story. The answer is a good story arc. Larry Brooks’ Story Engineering also covers these topics along with a bevy of books about story structure. In “Writing Fiction Like a Pro” by Steve Alcorn, the classic three act structure includes nine dramatic elements. For the elements, I included a sketch by fellow writer and classmate, Mame Zirro.

Act 1 introduces the characters, the setting and the story. Through The Goldfinch’s adolescent narrator, Theo, the reader meets his mother and learns the critical backstory. The trigger is the plot point that propels the protagonist into Act 2. It is also called the inciting incident or the door that the character passes through that cannot be undone. Theo’s plot point occurs after the museum explosion. Surrounded by debris, Theo meets Welty and follows his advice. With his mother missing and his theft of a famous masterpiece, he cannot go back to his former life.

Act 2 is the middle of the story. Our boy, Theo, is in crisis – dead mother, abandoned by his father, nowhere to go, no one to turn to, stolen painting, and dead man’s ring. Imagine a horizontal graph of time. After the beginning first act, the middle second act extends for the bulk of the novel. In the case of The Goldfinch, Act 2 is 400-500 pages of Theo’s escalating struggles with his friend’s family, his father’s return, his misadventures in Las Vegas and his betrayal of father-figure Hobart.

Act 2 ends with another plot point. This time the story veers in an unexpected direction. Act 3 is the shortest in duration and the highest point of tension. While Act 2 concentrated on the emotional story and struggles of the protagonist, Act 3 is all plot. Theo is older and burdened by his theft and loss of the famous Fabritius painting of The Goldfinch. His epiphany guides him to a new course of action, a solution for the greater good and his final plan to save the painting, actually several plans, since nothing in a Tartt novel will work the first time. The climax ends where the story began in Amsterdam. I will leave the ending untold for future readers to enjoy. Suffice it to say, Act 3 resolves Theo’s many problems.

The three act structure probably has as many critics as Donna Tartt. Some argue for more than three acts and others for less, such as the simplicity of creating a problem and resolving a problem. The internet displays diagrams of pinch points and new takes on structure with grids, circles and even circus tents. As for Donna Tartt, even the literary crowd disagrees on whether this is a fabulous adult novel or a Harry Potter-esque children’s book. Reviews on Goodreads offer accounts of unfinished readings (no doubt from quitters, wimps and lightweights) in contrast to exhilarating comments about the plot and characters.

For this novel with a massive three act structure, my vote is yes. Read it. But don’t drop it on your foot. Don’t try to fit it in your backpack or purse. And don’t drop it in the middle of the night unless you want to risk a call to 911 from the neighbors.

Frustration

“Writing: Somewhere between torture and fun.” – The Write Practice

“I just sit at my typewriter and curse a bit.” — P.G. Wodehouse

Frustration

My current project, an historical novel, started as a short story written during a creative writing class. The sudden death of an important, but minor, character propelled the scenes to a heartbreaking conclusion. After reading my final version aloud, I looked up to see tears flowing from the eyes of several classmates. Pleased that my work received the emotional response I desired, I shelved the story with no plans for further development.

For several years the characters continued to invade my thoughts insisting I reveal more about their lives. I finally relented and gave them proper historical names, added more dialogue, and expanded their storyline. My short story became the catalyst, but not the beginning, of a novel.

The words spilled onto the pages for months until suddenly the plot stalled because my characters rebelled at the direction I took them. The character who died now wanted a more significant role than originally planned. This character asked for, no, demanded to be resurrected to find a place in this world, to see the changing seasons, to experience adventures, to feel loved.

This frustrated me because that character’s inclusion changed the entire plot forcing me to do more research to add authenticity to the details.

Call me crazy if you wish, but I now believe what some writers have said about their characters talking to them. The characters know their story better than I do. After all, it is their story, not mine. I’m only the storyteller or historian whose job it is to simply tell their story in a convincing, thought provoking way.

Do your characters speak to you? If so, do you listen? Have you changed a storyline to accommodate your characters’ desires?

Top 5 Myths about the “Real World”

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Top 5 Myths about the “Real World” by John McCarthy

I recently read a syllabus for a college course that struck me as odd. According to the syllabus, the instructor stated that he was preparing his students for the real world. How? If students brought out their cell phone in class they would immediately be told to leave the class. Also, if a student is sent out of the class twice during the course, that person would be kicked out of the course.

This is not made up. Based on the instructor’s faulty logic, people in the workforce are fired without opportunity to redress or remediate the problem, when there is often some sort of due process. Even if the logic was true, if employers let go of employees for the most minor of faults, they would be under staffed, and would be critiqued by their boss for the high cost of constantly retraining new employees. Most likely the manager would be fired for creating such disruption in the work force.

Here are some other myths about the real world that are perpetrated in schools. See which ones you may have encountered:

  1. Late work will not be accepted.

In the real world, a supervisor needs a memo or work product even past the deadline. In most cases, the staffer charged with the task is still required to get it done. Will there be a consequence afterwards? Yes, either officially or unofficially. The staffer may get a dressing down, warned, written up, and/or not be given such responsibility for a long while. Firing is a possibility, but usually not the first option. The work must get done, and if it’s high quality, the staffer might get off with no official penalty.

Accepting late work sends the message to students that they are not off the hook and must get it done.

  1. Listening to music using earbuds while working is a distraction.

There are many offices, cubicles, and cafes where people work while listening to music. They wear earbuds or headphones so as not to disturb others. Work time is different from times for lectures and discussions. Banning the practice denies the opportunity for coaching students on proper etiquette.

  1. Do not ask questions during emergency drills.

A mother shared with me how her child received a demerit for talking during a tornado drill. On the surface, this seems appropriate. If you’re talking then you and those around you won’t hear the instructions from the authorities. In this case, the offending student was asking another student why for a tornado drill they were marching outside to another structure. The other structure was a tornado shelter, which makes sense to an adult mind. However, this child did not understand and asked the teacher, whose adult-minded logical response did not satisfy the concerned child, “But why would you go outside at all if there were a tornado?”

While idle chatter is not appropriate, inquiring questions should be welcomed. People ask questions about different situations and under different circumstances. Schools and most workplaces are not military installations. Speaking up to inquire under any conditions is an important skill, just as responding to someone’s concerns under difficult conditions is critical.

  1. When students fail due to low test scores and missing assignments it’s their responsibility.

Students do share a responsibility to do their best and complete all tasks assigned to them. It’s also the teacher’s responsibility to model perseverance by providing all resources to meet the needs of their students. These efforts can be draining, yet determination and doggedness can lead to students turning around and finding success. How can we expect students to learn to persevere and strive past obstacles if the highly trained professionals give up on them–and the students know it?

In the teaching workforce, when an employee struggles to be effective, they are placed on a work plan. The intent is to help the person improve their practice so as to get off the plan. The process can be quite extensive. Both teacher and administrator are responsible to work together. We should offer the same real-world opportunities to all students.

  1. If a student fails a test there are no retakes.

Only in academia is this practice believed to be the way of life. In many other fields, future professionals can take the required tests multiple times until they pass or get the score that they need. Such examples of these tests for professional certifications include C.P.A (accountants), Bar exam (lawyers), ACT & SAT (prospective college students) and state certification for licensure of teachers.

Allow students to retake a test when they are ready and have grown in their understanding. It’s more important to have highly skilled students then a collection of grades based on the archaic practice of averaging scores.

What are other myths about the real-world that you have experienced or heard about? Post them in the comments section below.